And PROs (Performing Rights Organizations – like ASCAP, BMI, SESAC, SOCAN, PRS) do NOT collect mechanical royalties. There are still what’s called mechanical royalties out there.
#Baby im worth it song pro#
(For the record you can only be with one PRO in your country – ASCAP or BMI in the US. Yes performance royalties are PART OF publishing royalties, but not all of them. All they do is help you collect your performance royalties. No, once again, ASCAP, BMI, PRS, SOCAN do NOT do this for you. But, if you’re like me, and you don’t have a publishing company, you still need someone to track down your publishing royalties. And your label (or distributor) would collect the royalties from the master sound recording.
My publishing company would collect my royalties from your cover recording. You own the master sound recording, I still own the composition (since I wrote the song). So when we’re discussing Admin Publishers in this article we’re only talking about the pink circle above.
Labels represent artists and control (often own) master sound recordings. Publishers represent songwriters and control (sometimes own) compositions. You can pretty much interchange “publishing” and “songwriting.” Whenever we’re discussing “publishing” it’s for the song. One of the biggest points of confusion in the indie musician community is publishing. Oh, and I updated this (finally) after having only CD Baby and Tunecore as part of this report.
You’re going to be referencing it a lot in the future.
#Baby im worth it song full#
If you’re in the States, no, ASCAP or BMI will NOT collect all of your publishing royalties.īefore we jump into this full report, bookmark this page. Let’s just get this out of the way from the get go.
0 kommentar(er)
